Thursday, 25 June 2015

Journeys #1

A handwritten list of number plates from cars overtaken on a journey between Plymouth and Cardiff.

Journeys #1 2015
148 x 105mm
Cover: 120g card in canary yellow


Inside: Handwritten in black ink on squared paper.

Friday, 5 June 2015

In this Grey Wind

'In this Grey Wind' is a handmade book using extracted text from 'Birds of the Grey Wind' by Edward A. Armstrong.

This has been one of my favourite outcomes of extracting text! 

I didn't begin with a theme, but just simply started by picking out key words and phrases. The bird watching book by Armstrong was written with such passion and absorbing description, that I found myself drawn to the bird's courtships and habitats, resulting in poetry that suggests love, relationship and loss.

It was the first extraction process from a book (the others being from newspapers) and it took quite a long time to compile, but one that I will definitely repeat!   


'In this Grey Wind', 2015
130 x 210mm
Inkjet printed on 120gsm White goatskin paper. 
Cover: Judd Street paper 'Diana Wilbraham, blue'



Sample from page one:

The
birds they came to meet me
in a tangle of jessamine and
honeysuckle

blackbirds

singing

exultant
melodies

of

ardour
and
love


Friday, 17 April 2015

5th Sheffield International Artist Book Prize & Exhibition

'One hundred and Eighty Seven Words for Home' has been accepted into the 5th International Artist Book Prize and Exhibition at Bank Street Arts, Sheffield.



'One Hundred and Eighty Seven Words for Home' 2015
14.3 x 18.7cm
Inkjet printed on 120gsm goatskin parchment, 
135gsm Colorplan china white and 270gsm Colorplan mandarin

Monday, 13 April 2015

'Inventory' at BABE2015

'Inventory' 2011
A handmade book compiling a list of everything in my home.

Great to see it displayed at BABE2015 courtesy of Bank Street Arts, Sheffield!

This is a good example of the need to make more than one copy of any handmade book! Having won the 3rd Sheffield International Artist Book Prize and Exhibition, Bank Street Arts became the new owners, leaving me with no copy! It is my intention to re-compile the list, possibly hand written and using a different format....but that's for another day!


Monday, 23 March 2015

One Hundred & Eighty Seven Words for Home

A coptic bound handmade book exploring the connection between language and memory.

It is a list compiled from a short writing exercise in which I wrote down objects, sounds and scents that I could remember from the house I grew up in. I tried not to focus too consciously, instead, simply allowing the list to reveal itself as I mentally strolled through the house.

The objects, sounds and scents listed can, for me, be so clearly linked to childhood memory, that they almost form another language; one of specific association to home.

The book is coptic bound - a type of binding new to me, and one that I improve at with each new book!


One Hundred & Eighty Seven Words for Home,' 2015

14.3 x 18.7cm
Inkjet printed on 120gsm goatskin parchment, 
135gsm Colorplan china white and 270gsm Colorplan mandarin

Sunday, 1 March 2015

Swatches of Conversation

Fragments of conversations from people passing by, in cafes, libraries etc. 


'it's just about taste'
'you know when you breathe in'

This makes for an interesting read and it was fun to compile!

It's intended that the reader will wonder about the parts of the conversation not heard and think (and even create) about the characters and lives unknown.



'Swatches of Conversation' 2015
10.5 x 4cm, Inkjet on 225g Kaskad card

Sunday, 25 January 2015

Postcard Poems

Entry for Postcard Poems at Bank Street Arts, Sheffield, in conjunction with The Poetry Business and South Yorkshire Poety Festival.

Exhibition at Bank Street Arts from 20-30th May 2015.

Simply a poem on a postcard from where I live. I think there is more than a hint of the ongoing love/hate relationship that I have with Plymouth!

There are quite a few artists who work with postcards, by manipulating them and using them for mail art. I have previously created this kind of work and I often use the A6 format in book works.




Passively I stay here
Loving the sea, but hating
Your mediocrity in equal
Measure and
Often
Underestimating
The restraining 
Hold you have on me