Sunday, 21 October 2012

The Sunderland Book Project 2012

The Sunderland Book Project 2012

The aim of the project is to collect a wide range of unique interpretations of the city of Sunderland from around the world.  The books will be exhibited in national and international venues.


http://theresaeaston.wordpress.com/the-sunderland-book-project/ 



Absence 2012


A book of extracted poems from articles in the Sunderland Echo online. The poems reflect a feeling of distance and disconnection. A sense of absence.


Having never visited Sunderland and being ignorant of its history, my automatic thinking was one of absence. Extracting text from articles in the Sunderland Echo online, I created a series of poems or phrases that some up this feeling.

The only 'rule' I use when extracting text, is that I must use it in the order that it appears on the page. Once I have enough poems (25-30), I then discard those that don't fit (2-3) and rearrange the rest in a sequence that offers a narrative, or at least, a beginning, middle and conclusion.


The use of tracing paper gives a sense of distance between the thoughts on the page, and the blank cover suggests a lack of knowledge, understanding or connection.


Im delighted to say that my book was received well by the organisers and its alternative approach was interesting enough for the Sunderland Echo to interview me about my book! 

Clare Rogers' 'Absence' makes it to the North East
Sunderland Book Project 2012




'Absence' 2012
21 x 14.5 x 1cm
Tracing paper, ink, card, crepe paper, recycled paper and Acco fastener. 
Three copies.



Inside title page



Page example


she 
runs.

cannot be named

ordered
denied
lost
and
driven out      she wants

to be
different


Sunday, 19 August 2012

Exhibition Review

A review on 'From here you can almost see the sea: A response to living in Plymouth'

http://inatownsosmall.wordpress.com/2012/08/17/being-followed-home-yorkshire-exhibtions/

A quick dash across Sheffield is well worth risking the sun/howling wind/soaking rain (delete as applicable) to get over to Bank Street Arts, where they also have a pair of fantastic displays of artist books presently. Clare Rogers’ From here you can almost see the sea: a response to living in plymouth is, quite simply, brilliant. Rogers uses a variety of printed to media to explore what her hometown of Plymouth means to her, what it looks like, why she loves it, why she hates it, and what it feels like to be there. This sounds like an interesting enough project for a visual artist, but here the artist uses words alone to engage with her subject matter, combining ‘photography’ with poetry and book works to create her image of Plymouth. I've been back to this exhibition twice already, and suspect I will be there again before it closes at the start of September.

It's always fantastic to receive positive reviews on your work! (I have had a few not so complimentary ones!)

Tuesday, 7 August 2012

From here you can almost see the sea: A response to living in Plymouth

http://artistsbookprize.co.uk/cr_exhibition

31st July - 1st September 2012
Bank Street Arts
Bank Street 
Sheffield



A few pictures of the exhibition. 

The decisions about where and how to hang the work were made without much agonising, which is always good! The room size and shape was perfect for this body of work and the flat fluorescent lighting allowed the viewer a good visual of the work without having to dodge glare and reflection of spotlights.



'Ten Views'



'All Other Routes', 'Diverted Traffic', 'Road Closed'



'Abbey Place to Zion Street' and 'Forty Nine Minutes'



'Redaction/Response'


Saturday, 28 July 2012

From here you can almost see the sea: A response to living in Plymouth

All work is finally finished for the exhibition at Bank Street Arts Gallery in Sheffield!

The exhibition runs from 31st July to 1st September 2012 
and is open Tues-Sat 11am-5pm

The work consists of text based drawings and hand-made books focussing on response, repetition and redaction.

List of work.
'Abbey Place to Zion Street'
'Ten Views'
'All Other Routes'
'Road Closed'
'Diverted Traffic'
'49 Minutes'
'Redaction/Response'

From here you can almost see the sea: A response to living in Plymouth

'Redaction/Response' 2012

'Redaction/Response' are two books of thirty poems which have been redacted from articles in Plymouth Herald newspapers. 

'Redaction shows the original newspaper articles with their redacted text, while 'Response' shows a typed version and the remaining unreacted text which makes up the poems.

With hindsight, I realised that the point of redaction is about the words that have been blanked out, not the ones left to be read. So the title of the work should probably be 'Extraction/Response'. 

However, the theme of a response to living in Plymouth and the process of extracting text, works very well and the large format of the book give them presence. All is not lost!



Cover:'Redaction' 2012


'Redaction' 2012
29 x 35.5cm
Cartridge paper, newsprint paper, ink, bulldog clips.



'Response' 2012
29 x 35.5cm
Cartridge paper, newsprint paper, ink, bulldog clips. 

Poem 23:

Overlooking the 
harbour, I asked

What 
is
special

he said

You
never dream of
the sea

When we first came here
we were in the eye of
the storm
and
we
created conflicts

But he
already
is
looking for a
New
city

Tuesday, 3 July 2012

From here you can almost see the sea: A response to living in Plymouth

'Forty Nine Minutes' 2012

A list of objects seen on a walk from home to the sea. Printed on tracing paper, the translucent pages suggest a gradual revealing of a view of the sea.

Another part of the response to living in Plymouth. This is a suggestion the the sea (a metaphor for happiness), can almost be seen, which it to say, that actually, it can't be seen, (and that happiness can't be experienced here).

I used a dictaphone to record a continuous stream of verbal commentary on the objects I could see on my walk - a journey of 49 minutes from my house to the waterfront.



'Forty Nine Minutes' 2012
A5
Tracing paper and ink




Inside:'Forty Nine Minutes' 2012
A5
Tracing paper and ink


 Inside:'Forty Nine Minutes' 2012
A5
Tracing paper and ink







Sunday, 17 June 2012

Exhibition Details

'From here you can almost see the sea: A response to living in Plymouth'

Bank Street Arts, Sheffield
31st July - 1st September 2012

A range of text based work including 2D pieces and hand-made books, using processes involving repetition, description and redaction.